Although The Sound of Music is set in Salzburg, it was largely ignored in Austria upon release. The film adaptation was a blockbuster worldwide, but it ran for only three days in Salzburg movie theaters, with locals showing "disdain" for a film that "wasn't authentic."[160] In 1966, American Express created the first Sound of Music guided tour in Salzburg.[161] Since 1972, Panorama Tours has been the leading Sound of Music bus tour company in the city, taking approximately 50,000 tourists a year to various film locations in Salzburg and the surrounding region.[161] Although the Salzburg tourism industry took advantage of the attention from foreign tourists, residents of the city were apathetic about "everything that is dubious about tourism."[162] The guides on the bus tour "seem to have little idea of what really happened on the set."[163] Even the ticket agent for the Sound of Music Dinner Show tried to dissuade Austrians from attending a performance that was intended for American tourists, saying that it "does not have anything to do with the real Austria."[164] By 2007, The Sound of Music was drawing 300,000 visitors a year to Salzburg,[165] more than the city's self-conception as the birthplace of Wolfgang Amadeus Mozart.[163][166] A German translation of the musical was performed on the national stage for the first time in 2005 at the Vienna Volksoper, receiving negative reviews from Austrian critics, who called it "boring" and referred to "Edelweiss" as "an insult to Austrian musical creation."[167] The musical finally premiered in Salzburg in 2011 at the Salzburger Landestheater,[168] but Maria was played in the Salzburg premiere by a Dutch actress who "grew up with the songs."[169] However, most performances in Vienna and Salzburg were sold out,[167][168] and the musical is now in both companies' repertoire.
While there, he falls in love with Hollywood and Virginia Hill. The themes of Bugsy are chasing west coast dreams and trying to go legitimate, away from the criminal life. Ultimately, as with many great mafia movies, these hopes dry up in desert heat.
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The battles behind Francis Ford Coppola's surreal war movie are well-documented: the nightmarish, multiyear shoot; star Martin Sheen's heart attack and recovery; a cackling press corps that sharpened its knives for a turkey of epic proportions. Coppola would have the last laugh. So much of the vocabulary of the modern-day war picture comes from this movie, an operatic Vietnam-set tragedy shaped out of whirring helicopter blades, Wagnerian explosions, purple haze and Joseph Conrad's colonialist fantasia Heart of Darkness. Fans of the Godfather director, so pivotal to the 1970s, know this to be his last fully realized work; connoisseurs of the war movie see it (correctly) as his second all-out masterpiece.
Stop snickering: There's a real reason why this sci-fi actioner is so high on our list. Never before (and probably never again) had the monied apparatus of Hollywood been so co-opted to make a subversive comment about its own fascist impulses. Director Paul Verhoeven cackled all the way to the box office as giant bugs were exterminated by gorgeous, empty-headed bimbos; when Neil Patrick Harris showed up near the end of the movie in a full-length Nazi trench coat, the in-joke was practically outed. Source novelist Robert Heinlein meant his militaristic tale sincerely; meanwhile, the blithe destruction of humankind on display here could only be intended as a sharp critique, both of soldiering and of popular tastes. Return to it with fresh eyes.
Pervy Dutch director Paul Verhoeven is better known for Basic Instinct and Showgirls, but war movies are his true métier. In this deliciously plotted WWII survival tale (a comeback of sorts for the Hollywood exile), a hotcha Jewish singer becomes a spy, a freedom fighter and a bed partner of Nazis. Talented Carice van Houten commits fully. 2ff7e9595c
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